![]() In 1911, Lamb married Henrietta Schultz and moved to Brooklyn, New York. In addition, Lamb surpassed ragtime’s usual four-measure phrase structure. He used a great diversity of texture for all of his rags. His contributions to the ragtime literature also show his unique traits. Second, he emphasizes on the harmonic sonority of the diminished seventh with upper-neighbor appoggiatura. First, he uses sequence for development purposes. Lamb’s works show individual stylistic traits. "Contentment Rag" (1915) and "Patricia Rag" (1916) have both characteristics of “heavy” rags and “light” rags. ![]() This style of rags includesī) The “light” rags which have the cakewalk tradition show the narrow-range melodies inspired by Joplin. ![]() Lamb’s twelve rags published by Stark from 1908 to 1919 can be divided into two groups:Ī) The “heavy” rags which are incorporated with Scott Joplin’s melody–dominated style and James Scott’s expansive use of the keyboard registers. Stark published Lamb's music for the next decade, starting with "Sensation". ![]() Joplin was favorably impressed with Lamb's compositions, and recommended him to classical ragtime publisher John Stark. In 1907 Lamb was purchasing the latest Joplin and James Scott sheet music in the New York City offices of John Stark & Son when he met his idol Joplin. Jerome's College in 1904 to work for a dry goods company. The youngest of four children, he taught himself to play the piano, and was very taken with the early ragtime publications of Scott Joplin. Lamb, of Irish descent, was the only non-African American of the "Big Three" composers of classical ragtime, the other two being Scott Joplin and James Scott. Read Full Bio Joseph Francis Lamb (Decem– September 3, 1960) was a noted American composer of ragtime music. The lecture is a lead-up to the two-day “Wine Country Ragtime Festival.” For more information, go to the festival website at Francis Lamb (Decem– September 3, 1960) was a noted American composer of ragtime music. Partridge will outline the life of this important American composer and perform several of Lamb’s most noted rags. One of the “big three” composers from Ragtime’s “Golden Age”, Lamb created beautiful, lyrical compositions that have remained favorites with performers and audiences for nearly 100 years. ![]() John Partridge, music director of the Wine Country Ragtime Festival, will discuss Lamb’s life and work illustrating his talk with live performances of some of Lamb’s greatest compositions. His ragtime compositions are lyrical and romantic and of such a high quality that he is now regarded as one of the greatest ragtime composers of that era. He was a young man from New Jersey who fell in love with the music of Scott Joplin and began writing rags of his own sometime around 1900. Most of the composers and performers from Ragtime’s “Golden Age” (1890 to 1920) were African-Americans from the Midwest. The presentation will kick-off the 2017 Wine Country Ragtime Festival. Local music scholar John Partridge will discuss ragtime legend, “Joseph Lamb – Romantic Ragtimer,” at 6 p.m. ![]()
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