Susan Hayward and Ginette Vincendeau (eds.), French Film: Texts and Contexts, Routledge: London, 1990.Susan Hayward, French National Cinema, (second edition), Routledge: London, 2005.Phil Powrie and Keith Reader, French Cinema: A Student's Guide, Arnold Press: London, 2002. Engage in close analysis of the film textsġ parallel seminar group Assessment Informationġ sequence analysis, 1500 words (25%), testing ILOs 1-4, 6ġ extended comparative essay, of 2500 words (75%), testing ILOs 1-6 Reading and References.Compare and contrast the construction of stars and genres in a wide range of film, and cultural and historical contexts : French film, texts and contexts (9780415001304) and a great selection of similar New, Used and Collectible Books available now at great prices.Carry out independent research inquiry appropriate to this level of study and with a sense of the consolidation of skills between levels of study in the building of the degree programme.Demonstrate critical awareness of theoretical scholarship in the field of study and to be able to express this in both oral and written form.Respond in a rigorous and analytical manner to the issues/debates raised by the unit and be capable of critically interrogating them.Demonstrate an understanding of the key issues arising from their study of French film history and theory, and popular culture.To facilitate students’ engagement with both close textual reading and broader critical analysis of secondary material.īy the end of this unit, students will be able to:.To explore the theoretical writings in English and French on film genres, stars and popular culture and to establish a dialogue between theories of film form, aesthetics and style, and theories of identity, spectatorship and reception.To expose students to a broad range of film representations from the mid-20th century to the present day through textual analysis and critical study of 8-10 key films.To provide a thorough coverage of historical and theoretical approaches to the study of French cinema through the study of popular culture, entertainment, genres and stars.To introduce students to a significant body of knowledge of a complexity appropriate to Year 2 UG level. Hayward, Susan and Vincendeau, Ginette (eds), French Film: Texts and Contexts, second edn (London: Routledge, 2000).Attention will also be paid to the economic workings and socio-historical background of the French film industry, in both its national and global/transnational contexts Through the close study of particular genres, the unit will address issues of representation and reception, such as identity (gender, class, ethnicity), the construction of popular cultural forms, and the historical relationship between audiences and stars. The unit will focus specifically on the formation of a popular French screen and entertainment culture through coverage of a body of film texts drawn from different genres and modes of filmmaking, including comedies, musicals, crime thrillers, teen movies, social realist films, and documentaries. This unit aims to introduce students to the history of French cinema through critical study of the different genres that compose it and of the film stars that have shaped French popular culture through the latter stages of the 20th century and the early part of the 21st century. Genre, Stardom and Entertainment in French Cinema Please see the current academic year for up to date information. The diversity of disciplines - history, literary studies, semiotics, psychoanalytic - that form the background of the contributors' work guarantees such a variety of approach, making this an informative and challenging study for students of French cinema and cultural studies, as well as for lovers of French film.Please note: you are viewing unit and programme informationįor a past academic year. The essays in this collection investigate the different ways in which these and other films textually inscribe and rework a variety of other cultural and historical texts. Hulot, or recent works of the calibre of Rohmer's Les Nuits de la pleine lune or Varda's Sans toit ni loi, they have all become part of an essential French repertory. Whether unavoidable 'monuments' like Gance's Napoleon, critical cult films like Resanis's Hiroshima, mon amour and Godard's Le Mepris, popular classics such as Carne's Les Enfants du paradis, or Tati's es Vacances de M. French Film: Texts and Contexts Susan Hayward, Ginette Vincendeau Routledge, Social Science - 368 pages 0 Reviews Reviews aren't verified, but Google checks for and removes fake. This new look at classic French films, from the 1920s to the 1980s, provides detailed analyses of central texts within the canon of French cinema. French films have always been popular with English-speaking audiences, but surprisingly few critical studies are available in English in single-volume form.
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